Автор: nodoubt
Дата: 27-12-05 23:29
"The Greatest"
All three are utter standouts optically. With the vagaries of personal taste taken into account, no lens, however deluxe, can be called the "best" for everyone, but the Limiteds are certainly among the best. Popular Photography in its March 2002 issue called the Pentax SMC-FA 31mm Limited one of the greatest prime lenses it had ever tested (the other two were the Voigtländer Heliar 50mm f/3.5 and the Nikon Nikkor 45mm f/2.8P Tessar-type. This wasn't clear in the issue itself, but I contacted the Editor, Jason Schneider, who confirmed it). Yet all things considered, the 77mm may be the best lens of the three. A nearly ideal short tele, the 77mm Limited is superb — contrasty, excellent for portraits wide open, with a truly beautiful, delicate bokeh that compliments the almost 3-D vividness of the in-focus image. Tops in its class? There are certainly a lot of great short teles out there. But I can't name an AF SLR short tele I'd put above it.
Granted, three lenses doth not a legend create. But if you're wondering which autofocus lenses are ne plus ultra, I submit that little has changed since the days of Kennedy and Kent State, Barbie and the Beatles, when "the Pentax" was the best-selling SLR there was and Zeiss was the world's most prestigious cameramaker. Each optical house may be a stately shadow of its former self in the minds of 35mm photographers today, and lens quality may not matter any more anyway — Canon and Nikon are awfully darned good, and nobody makes any dogs, and it's all going digital anyway. But when it comes to the best autofocus lenses in the world, whether for a viewfinder camera or SLRs, it's still Zeiss and Pentax, baby, same as the old days.
© Mike Johnston 2002
http://www.luminous-landscape.com/columns/sm-02-05-02.shtml
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Публикацията е редактирана (27-12-05 23:29)
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